Aïcha Boro recalls her beginnings in film, marked by a tireless search for poetry and truth and influenced by her literary studies. She compares cinema to journalism, noting that the former seeks a lyrical truth, while the latter seeks a factual truth. This devotion to truth is central to her film “Al Djanat”, in which she delves into her profound Mandinka ancestry and the significance of cultural identity. Her cinema serves as a cultural bridge, providing a genuine glimpse into human identity. With a persistent enthusiasm for narrative, she celebrates diversity while keeping universal feeling at the forefront, representing the filmmaker’s moral obligation to their subjects.