Daniela De Felice
France
Overview
Daniela De Felice’s documentaries go beyond simply depicting reality. Without a traditional path, she distinguishes herself with a unique approach inspired by Bauhaus exercises. Her film “Ardenza” (2022) is an outstanding example, combining writing and visual experimentation while also delving into Picasso’s erotic works, providing a fresh and bold new perspective. Montage is important to her, as it allows her to create powerful atmospheres and remarkable ellipses. She approaches each project as an exploration, avoiding repetition in order to constantly reinvent her narrative. Her work reflects autonomy and political commitment, providing a personal yet universal cinematic experience.
Chapters
Why are you making films?
How did you end up making documentary films?
How do you create the film from the dossier?
To what extent does editing change your films?
Is Ardenza a turning point in your filmography?
Why move away from this character? Does it allow you to work better?
A pleasant moment while creating Ardenza.
Bio
Daniela De Felice was born in Milan in 1976. She was raised in Italy, where she studied both drawing and art history. When she was 17, she graduated from high school and went to Brussels to study 'visual storytelling' at ENERG. There, she directed her first film, Coserelle. It was selected at several festivals, including the Mostra del Nuovo Cinema di Pesaro and Inattendus (Lyon), where she met Matthieu Chatellier. She later returned to Italy to work for Fabrica Cinema.
Filmography
- Ardenza (2022)
- Pauline Parigot in Angèle à la casse (2019)
- Casa (2013)
- Grêve générale (2007)
