The sound design of a documentary film must be suggested from the first stages of writing, supported in some way by the script. The multiple aesthetic possibilities of sound -music, sound ambience, words or silence- expressively enrich the work. But like the rest of the technical contributions in the cinema of reality, the shooting is above all a space for creation and discovery.
ProfilesAddress Sonido
Designing a sound universe: sound capture
- How important is sound in your filmmaking practice?
- How do you define the sound universe of your film?
- How does the dialogue with the sound engineer or sound designer develop?
- How does the dialogue with the person directing the film develop? Can you describe some examples in your filmmaking practice?
Technological dimension: conditions and possibilities
- How do you make decisions about the tools, techniques, and materials—microphones, recording instruments, etc.—used that determine our relationship with sound reality?
