A documentary film’s sound design must be suggested early on in the writing process, with some support from the script. The work is expressively enhanced by the various aesthetic possibilities of sound, such as music, sound ambience, words, or silence. However, as with the rest of the technical contributions to the cinema of reality, shooting is primarily a space for creation and discovery.
ProfilesAddress Sonido
Creating a Sound Universe: sound Capture
- How important is sound to your filmmaking practice?
- How would you describe the sound universe of your film?
- How does the conversation with the sound engineer or designer progress?
- How does the dialogue with the film's director progress?
- Can you provide some examples from your filmmaking practice?
The technological dimension: conditions and possibilities.
- How do you choose the tools, techniques, and materials—microphones, recording instruments, etc.—that shape our relationship with sound reality?
- Can you exemplify with some cases in your filmic practice?
