The last stage of this itinerary may involve the development of a preliminary script that allows the filmmaker to face the shooting and editing of his work. In it, the structure of the film is specified, the characters are edited, identifying their relevant characteristics, and the expressive resources to be used are worked on. The writing at this point is always done taking into account the ethical issues implicit in the film, which will condition the choice of stylistic and formal keys. In this chapter, directors such as Andrés Duque and Lea Glob discuss how they approach writing and structuring their documentary films. They explore planning narrative structures, working with characters, and making decisions about what to include or leave out. The conversation touches on ethical considerations in filmmaking, including the relationship between filmmaker, characters, and audience.
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