Living

ITINERARIO

5

CHAPTER5.3

GEOGRAPHIES OF CREATION

The geographical territory from which the filmmaker operates is another fundamental axis that determines the practice of documentary film. The imbalance between the peripheries and the epicentres, which have powerful audiovisual ecosystems and consolidated cultural policies, condition the size of the productions and the possibilities of disseminating the films. At the same time, the place of residence and creation determines the options for building communities and networks that allow the filmmaker a collective and shared reflection in relation to his cinematographic practice.”

ProfilesAddress Assembly Color Director of photography Distribution Graphism Mix Music Production Programming Sales agency Script Sonido

Schools: between formal and non-formal

  • Did you attend a film school or specialized documentary studies?
  • Where would you say you learned filmmaking, in an academic institution and/or in another place/s?
  • How much of your training would you attribute to experiences outside of formal education?
  • What has been the most fruitful experience/person/relationship or discovery in terms of teaching about film?
  • Can you share any examples?
  • Do you think that film can be taught/learned?
  • How?

Experience as a continuing school

  • It is well known that experience is a degree in terms of mastery and expertise. And in terms of learning?
  • What aspects do you continue to learn about film as you make (or think about) films?
  • What is the most important or revealing thing that life experience and film practice has taught you about film and documentary film in particular?
  • What aspects, if any, of what you knew or thought you knew about film when you started or when you left school have you abandoned or have lost value for you over time?

Other disciplines: expanding creation

  • Do you have training in any discipline outside of film, before or after your film career?
  • Have you practiced that other practice?
  • Whether or not you have specific training in another area: how have other disciplines influenced your cinema?
  • How do they influence the creative process or are they reflected in your work?

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