Filming

ITINERARIO

2

CHAPTER2.2

THE PHOTOGRAPHY

The design of photography in documentary filmmaking is sometimes conditioned by the unpredictability of working with reality. Capturing the image requires proposing a practice that is coherent with the film we want to make. The work of the cinematographer and camera operator involves making a series of decisions prior to shooting, both aesthetic and technical, that are in line with this, formally enhance the film and, perhaps, discover new unforeseen paths in previous phases.

ProfilesAddress Director of photography

Escribir con la luz: cámara y fotografía 

  • ¿Cómo trabajas la luz en tus películas?
  • ¿Cómo te relacionas con el director de fotografía o realizador/a a la hora de abordar el rodaje?
  • ¿Puedes describir algunos ejemplos en tu práctica fílmica?

Dimensión tecnológica

  • ¿Cómo tomas las decisiones en relación con las herramientas, técnicas y materiales utilizados -cámaras, ópticas, iluminación, etc.- que determinan nuestra relación con la realidad?
  • ¿Puedes ejemplificar con algunos casos en tu práctica fílmica?
FILM_ABOUT_A_FATHER_WHO_23.98p_1080_Stereo_ProResHQ.mov.01_46_28_16.Still004

OTHER CHAPTERS OF ITINERARY

Filming

— 2.1

THE DIRECTION

Filming

— 2.3

THE SOUND

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